"Cars" Owen Wilson's infectious, good-natured energy permeates Pixar's lighthearted animated movie about Lightning McQueen (Wilson), a rookie competition race car that discovers there's more to life than winning races. When Lightning finds himself waylaid in the dusty town of Radiator Springs on the famous Route 66, he gets a lesson in ethics and personal accountability from the town's locals, voiced by Paul Newman and Bonnie Hunt. While the movie is 20 minutes too long for tykes, it nonetheless endears its colorful car characters to the audience. George Carlin, Michael Keaton and Cheech Marin add their vocal talents to this enjoyable animated automotive spree. (G) 116 min. *** Cole Smithey
"Click" Adam Sandler might wish he could find a magic remote control and rewind to the beginning of his career when he won a conspicuous place in the hearts of the Generation X demographic cohort. Though he has managed to cling to this very lucrative perch ever since, this comic-fantasy about just such a remote shows that age has cooled his signature style of boorishness and disengagement from material. In the movie Sandler is able to revisit his past and to fast forward through portions of his life he'd rather not bother with. We, however, have no such luxury and are stuck with the Sandler we've always known. His character is a would-be mix of George Bailey and Scrooge, but he's just a garden-variety jerk: His failings, unlike Scrooge's, aren't interesting, and his virtues, unlike George Bailey's, touch no universal chords. "Click" really ought to make Sandler think about getting his priorities straight, if it's not already too late. (PG-13) 98 min. ** Thomas Peyser
"The Devil Wears Prada" A breathless gallop at haute couture fashion culture, "The Devil Wears Prada" is a fish-out-of-water comedy that digresses so often into prolonged music video sequences that you feel like you're watching a movie with commercials included. That materialism experience is unfortunately much of the point of this loose adaptation of Lauren Weisberger's best-selling novel in which a journalist (Anne Hathaway) wins a coveted job as second assistant to the world's most notoriously exacting fashion magazine editor (Meryl Streep). The magazine is patterned after Vogue, whose influential editor Anna Wintour serves as the template for Streep's icy character. Streep carries the film with a disconnected tone for her character that is at once beguiling and disconcerting. (PG-13) 109 min. *** C.S.
"The Lady in the Water" Apologists for the categorically inadequate M. Night Shyamalan have their work cut out for them defending yet another cinematic killjoy from this supposed master of suspense. Inflated from an impromptu "bedtime story" that Shyamalan invented for his children, "Lady in the Water" is a hackneyed enterprise about a water nymph inappropriately named "Story" (Bryce Dallas Howard) who resides at the bottom of an apartment complex swimming pool. Paul Giamatti is Cleveland Heep, a stuttering superintendent who discovers the sprite, or "narf" as she's called, and protects her until he can wrench enough exposition from his underemployed neighbors to send Story back to her "Blue World" home via an eagle. Standing in their way is a red-eyed hyena creature called a "scrunt" that roams the compound attempting to kill Story. The metaphor buried at the bottom of this is all wet. (PG-13) 110 min. * C.S.
"My Super Ex-Girlfriend" Super romance blooms with Uma Thurman as a part-time Manhattan superhero in this scattershot romantic comedy from Ivan Reitman. Architect Luke Wilson is initially thrilled to discover he's dating a superhero before realizing that his affections point more toward his coworker Anna Faris. Hell hath no wrath like a superwoman scorned, and the film swings wildly between reckless, bawdy humor, flat jokes and some surprising sight gag action sequences. But this half-hearted attempt at comedy with unlikable characters never gels. (PG-13) 95 min. ** C.S.
"Pirates of the Caribbean: Dead Man's Chest" For Disney, the good news about this movie is that it enjoyed a record-breaking first weekend box-office gross. For the rest of us, the good news is that the last half-hour or so of this second installment in the "Pirates" franchise is fast-paced, mindless fun, and even displays a dash or two of wit. Alas, the price for this payoff is nearly two hours of glum and mostly needless exposition, punctuated here and there with action sequences that should have made up the whole of this elaborate confection. Those seeking a self-contained movie experience should be warned that "Dead Man's Chest" was filmed in tandem with the next "Pirates" installment, and this year's episode does not even attempt to tie up the plot it so ponderously introduces. (PG-13) 150 min. *** T.P.
"Strangers With Candy" From its three-season tenure on Comedy Central comes a sporadically funny feature-length version of the absurdist Afternoon Special-spoofing series that won a cult following for its over-the-top satire of suburban American culture. Jerri Blank (Amy Sedaris) is a reformed alcoholic/junkie/prostitute fresh out on parole from a long stint in the slammer who insists, despite obvious handicaps, on returning to high school for a second chance at correcting her mistakes. The school's science fair provides her with a platform to prove her worthiness in spite of her bisexual attraction to classmates and proclivity for trouble. Stephen Colbert adds spice to the outlandish comedy as Jerri's gay science teacher. The movie never makes good on its promise of unbridled humor, but connects with enough stabs of parody to keep it entertaining. (R) 97 min. ** C.S.
"Superman Returns" If this new comic-book movie does well, it will validate Warner Bros.' belief that there is but one permanent, invincible Man of Steel: the one that has already made them millions; the one concocted by producer Alexander Salkind and director Richard Donner in 1978. This new version is a mere extension, with a new actor (Brandon Routh) who looks and sounds like Christopher Reeve's version, old footage of Marlon Brandon as father Jor-El, and even the same theme music (not to mention arch villain, introductory credits and squiggle of hair on Kal-El's forehead). As pure action, "Superman Returns" is competent and entertaining if a little corny. But it is also perfunctory and uneventful, and in many cases, unimaginative. Director Bryan Singer and his team are hired guns, brought in to return Superman to its rightful place among action movies. If they succeed, it will be by doing next to nothing. (PG-13) 153 min. ***
"You, Me and Dupree" As the title character Dupree in this situational comedy, Owen Wilson plays the best friend to newly married Carl (Matt Dillon). Carl and Molly (Kate Hudson) live under the shadow of her overbearing father (Michael Douglas), who happens to be Carl's real-estate tycoon boss. However, ne'er-do-well Dupree casts the longest shadow over the couple's lives when they put him up for a few days while he hunts for a job and a place to stay. A hilarious dinner-table scene with the four main characters spikes the humor level beyond its otherwise predictable limits. Dupree may be a bad guest, but it's Wilson's boyish vibe of innocence that really overstays its welcome. (PG-13) 108 min. ** C.S. S